Download Ancient Worlds in Film and Television: Gender and Politics by Almut-Barbara Renger PDF

By Almut-Barbara Renger

This quantity reinvigorates the sphere of Classical Reception via investigating present-day tradition, society, and politics, relatively gender, gender roles, and filmic buildings of masculinity and femininity which form and are formed by way of interacting fiscal, political, and ideological practices.

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26 The passage from the article “Annexation,” United States Magazine and Democratic Review 16 (July–August, 1845) 5–10, was unsigned. Attribution for the phrase is usually given to the editor, John O’Sullivan, but more recently attention has been paid to Jane McManus Storm Cazneau, for which see Linda Hudson, The Mistress of Manifest Destiny: A Biography of Jane McManus Storm Cazneau, 1807–1878 (Austin: Texas State Historical Associantion, 2001) 45–68. g. Merk, Manifest Destiny and Mission in American History, 60.

Manifest Destiny and Mission in American History: A Reinterpretation (New York: Alfred A. Knopf, 1963). Mgbeoji, Ikechi. “The Civilised Self and the Barbaric Other: Imperial Delusions of Order and the Challenges of Human Security,” Third World Quarterly 27 (2006) 855–869. Moens, Alexander. The Foreign Policy of George W. Bush: Values, Strategy, and Loyalty (Aldershot UK: Ashgate, 2004). Odom, William E. and Robert Dujarric, America’s Inadvertent Empire (New Haven: Yale University Press, 2004). Pfaff, William.

And Martin A. Novelli, “‘Now a Major Motion Picture’: War Films and Hollywood’s New Patriotism,” The Journal of Military History 67 (2003) 861–882. , ed. Gladiator: Film and History (Malden MA: Blackwell, 2004). 1 Today, however, “Spartacus” probably evokes neither political nor musical nor historical events or texts but an image. For this is the man with that determined look emanating from steely blue eyes, a face featuring a classical straight nose beneath which lies a square chin with a conspicuous dimple, and a body sporting muscular naked arms and thighs.

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